Thursday, December 30, 2010

The Rat Kingdom

There it was. In the dirt. The Rat King. Or rather; the bones of it.

Bones alone are a terrible thing, and Rat Kings almost incomprehensibly awful. But the bones of a Rat King are the worst thing in the world, more horrible for their familiarity than even their deformity.

It wasn’t a very big Rat King, as far as Rat Kings go; I had seen pictures in a biology textbook of two dozen rats fused at the tails. I couldn’t make sense of the picture at first. I thought it was a circle of rats trying to flee from a tangle of snakes. All of the rats looked like they were running away. Their jaws were open, their paws scrambling. They were dead, of course, and apparently fossilized. My stomach turned to look at them, but of course I couldn’t look away. At the time I found gore as transfixing as my older brother found porn. It did not make me happy, but it satisfied something in me, a desire to know the worst of the world instead of being sheltered from it. Childhood is as abhorred by children as it is adored by adults.

My Rat King was smaller, as I said. Six rats, few enough that each of them retained some eyrie whiff of individuality. Even free of flesh, their skulls belied some personality. The one on the left was the scrappiest, the one just right of center the weakest, the fourth the only one I might have wanted as a pet. They had been living, once, and I could tell-- which, obvious though it may sound, was not something I could have said of the other animals I had found dead in the wood that same summer. It was this fact that made their condition alarming. The joining of their tails was messy, the bones broken, then re-grown in cancerous bulges. I touched the head of the fourth rat in apology.

And then Macy was beside me.

“What is it?” She asked.

“A Rat King.”

I think she thought I was making this up as I went along. It certainly sounded made up. The aristocratic ring to it was over the top, nothing from the realm of reality.

Macy poked the Rat King with a stick.

“What happened to them?” She asked.

I didn’t know. And since she probably already thought I was fibbing, I gave her a story instead of a fact.

“They were in love. Not all of them, not exactly, but this one,” I touched the head of the fourth rat. “And this one.” I touched the head of the first rat. “But they lived in a big city, and there were many rats, and they all looked more or less the same. And they were afraid of losing one another, so they tied their tails together so they would never be apart.”

Macy was catching on. She smiled in delight at the game, and prodded the meanest looking rat with her stick. “But this one fell in love with the girl, and when they were sleeping, he tied his tail to their tails as well, and in the morning there was nothing that could be done.”

I nodded. “Exactly.” I was proud of Macy. “And this rat fell in love with the boy rat...”

And so on and so forth, until of the rats were bound by bone to their unrequited loves. For a moment we stood in silence, staring down at the Rat King, marveling at their unexpected passion, their unquenchable sorrow, their unsettling humanity. Finally, in a very small voice, Macy asked, “Then what?”

“Well,” I said. And Macy looked at me in something close to fear. “Then they died.”

“Yes, but how did they die?”

“They couldn’t go on living like that very long, now could they?”

“I guess not.”

She didn’t look satisfied. She also looked sad.

“It’s not so bad, really, Macy,” I said, and I put my arm around her. “At least they all got to be together in the end.”

Macy nodded, solemn. For a moment I thought she was going to let me off the hook at that, but before the relief set in, she said, “You said they lived in a very big city.”

I raised my eyes from the Rat King for the first time. Macy had a point.

There are things that happen only in cities, other things that happen only in sewers, but where we were was anything but urban. It was only trees, to the naked eye, trees and bushes and tunnels of thorns.

It was in that moment that I knew.

“Macy,” I said, and the breathlessness of my voice excited even me.

“What?”

“That must mean we are in a big city.”

At first Macy had no idea what I meant.

I glared at her, impatient. To me it was stunningly obvious that the place we had found was not what it appeared to be, but in fact the feral carnage of a brave metropolis. The Rat King proved it. No matter how implausible it might have been, the Rat King was a certainty that could not be denied. Irrefutable evidence. The courtyard is adjourned. Case closed.

“Do you mean like, in another dimension?” Macy’s voice was hesitant, even skeptical, but there was something yearning beneath it that gave me hope.

“Not exactly,” I said.

“Then what?”

“I don’t know how to explain it.”

Quiet.

“How do we get there?” Macy asked.

“Where?”

“You know,” She said. Her turn to be exasperated. “The Rat Kingdom.”

It took us a while to decide. What we came up with in the end was brilliant, beautiful. There was a poem you had to say to enter the kingdom. Otherwise you were just in the forest. The poem passed you through. There was another poem you had to say to leave. Until you said the exit verse, you were in full sway of the Rat King’s power. I will not tell you what these verses were for two reasons, first because I no longer remember, and second, more compellingly, because you are not allowed in our kingdom.

Another thing. The Rat King wasn’t dead, on the other side. It was lithe and live and adorned with six crowns, each sporting a different gem. Each Rat went by the name of its gem, and had a corresponding power. Ruby was the mistress of love. Emerald gave and took of wealth. Sapphire was the keeper of health. Aquamarine controlled the clouds. Tanzanite was the channeler of chance. And Diamond? Diamond was the dealer of death.

We made the Rat King’s six crowns out of tinfoil, superglue, and pebbles. None of the pebbles were the right color, but that didn’t matter, because the heads we placed the crowns so gingerly on were not even covered in skin, much less fur. When you crossed through to the other side, the pebbles became the gems, and the tinfoil became gold-- so pure it would give beneath your teeth and could be consumed like rich chocolate.

The Rat Kingdom-- when you had not said the entrance verse, at least-- was primarily contained in a dense snarl of untended bushes that had sprung up in the field behind the school in which Macy and I learned to read, perform long division, and kiss boys under the spiral slide. From the outside it looked impenetrable, but Macy and I discovered that the branches had grown in such a way that there were several hollow spaces on the interior, small clearings with green-gold roofs and floors soft with moss. In sum, there were three of these chambers, the first two feeding directly into one another, the third separated by a tunnel as dark and tight as an esophagus. The tunnel was composed of curving, crosshatched branches, but the way it constricted around me as I belly-crawled through felt more like mud, and muscle.

It was in this room at the end of the tunnel, in this last, smallest, most secret chamber, that we placed the Rat King. We did not visit it often, but when we did we always brought an offering. Something small, a flower or a novelty eraser-- but it was enough.

We passed most of our time instead in the first two chambers, where we strung up a hammock made of an old linen tablecloth that I stole from my mother. I picked the linen because of something my mother had told me once that had always stuck with me. She was a seamstress, a very good one, and she knew cloth the way I would much later know mitosis, the way at the time I knew only the forest, and maybe Macy. What she had told me was this: linen had been the cloth that the sailors used for sails, because unlike almost every other fabric in the world, it does not grow weak with water, but actually stronger still.

This was how our hammock lasted through rains, and rains, and rains.

***

One day, years later, Tanzanite took the dice-shaped stone out of his crown, as he was bound to do from time to time. He looked at Ruby and said, “My love, what now?” Ruby shimmied her thighs salaciously, but Tanzanite shook his head. “Not yet,” he said, while Emerald hissed jealously between them.

Tanzanite threw the dice, and it landed with its shiniest side on top. “Ah,” said Tanzanite, as if he had known all along. He turned back to Ruby. “That means it’s your turn, my love.”

Ruby nodded. “But whom shall I afflict?” she asked.

All six tails twitched; all six rats cringed.

Tanzanite returned the dice to his crown.

“Who in this kingdom deserves such a plight?” Ruby asked.

“Certainly not I,” said Diamond. Diamond, of course, was bitter, because as he had been the last rat to join the tangle, there was no one in love with him.

“You’re already in love with Aquamarine, anyway,” said Ruby.

Diamond's eyes flicked greedily towards Aquamarine, who reared as far on her haunches as she could, half in pride and half in rebuke.

It was Emerald who said, “The girl.”

And Sapphire who said, “Which one?”

But it was Ruby-- because it could be no one but Ruby-- who said, “Both of them.” Ruby who nodded. Ruby who cast her spell.


***

Macy won.

Macy won, and what was worse, Macy took him to the Kingdom. My only consolation was that she must not have said the entrance verse, so really she just took him to the bushes. She took him to the bushes and she let him remove her shirt. She said he was startled that she wore no bra. Then she let him remove everything else, until her back was bare against the moss and he was kneeling over her, undoing his jeans with an awkward urgency. She was very young. But by that time age didn’t really apply to Macy. Neither did most things. Even gravity did not apply to Macy. I think at some point after her thirteenth birthday and before mine, I started to think of her as astronaut, and anything she did from that point was explained not by reason, nor even by Tanzanite’s chance, but by the navigation of the stars, and the disorienting spaceship jet lag.

No longer did Macy simply fill in the blanks of the stories I told. It was me scrambling after her now; or perhaps it was me scrambling away from her, a scared rat running from a snarl of snakes. At any rate it wasn’t me fucking boys we were both in love with on this side of the Rat Kingdom; it was Macy.

When Macy told me her eyes were bright from bragging. But then I realized she was going to cry. I should have gone to her then, but I didn’t. It isn’t that I didn’t love her. It’s just that I knew what had happened to the Rat King, and I didn’t want it to happen again. I wasn’t sure if our tails were already tied together; and if they were then I certainly wasn’t sure if it could be undone. But I wasn’t taking any chances. Tanzanite could go fuck himself. This was a matter of will, and of possessing teeth sharper than any rat in the kingdom. I cut myself free. I left us both with bleeding tails, but I didn’t care-- I knew I was getting away with as much as I possibly could of me.

I couldn’t imagine how Macy could have done such a thing with the Rat King, even its tinfoil and bone version, watching. The entire thing made me sick to my stomach. Before this incident, I had continued to visit the Rat Kingdom at least once a week, although mostly by myself now, and with dwindling dedication to our fantasy. Instead I loved the Rat Kingdom at face value, for the mysterious, misplaced jungle that it was. Yet I still said the entrance verse every time, although I did not always remember the exit. After Macy told me about her backstabbing victory, I missed one week, then another, and finally a third.

On the fourth week I could no longer stand it. I needed to be there, to feel that something in the green light still belonged to me, and I to it. It was a dim day, and I could feel Aquamarine debating about what to do with the weather. Should it rain? Or was the haze enough? Even though our old school was only a ten minute walk from my house, by the time I arrived the damp had crept through to my bones, as effortlessly as if I, like the Rat King, were residing in a realm in which I did not have skin.

“By the time I arrived” is perhaps not the best choice of words. In a way, I never arrived. When I got to the spot that the Rat Kingdom was-- had always been as long as I could remember-- it was gone. In its place was an empty plane of naked earth, the dirt still loose from the disturbance, not a single thorn remaining to defend itself.

I could not believe my eyes. In retrospect the strangeness was that the school had never bothered to have the Rat Kingdom removed, or at least tamed a little, in the past, and yet the incomprehensible thing to me was that they finally had, and even more than that that they even could. It had never occurred to me that someone from the ordinary, human world, could destroy an entire kingdom, with just a little manpower, a few machines, several hours work.

But they had. They had taken the trees, the bushes, the long grass, the moss, and the Rat King and even our hammock along with them. I lay in the dirt on my back like a child in the snow about to make an angel, looked up at a sky that I had never seen in that place without the interruption of leaves before, and -- yes-- I cried. I cried until I couldn’t see, and then I cried myself to sleep.

When I woke it was very, very late. The sky was black, but the stars were missing. In their place were six gems, arranged on an invisible circle of crowns. I picked the ruby and the sapphire from the clouds and closed it into my hand, but I left the rest for Macy.

***


Again, Tanzanite rolled. THis time the dice landed dullest side up. A hush fell over the Rat King. All six rats cast their eyes on Diamond, even Diamond himself, who stared down at his claws with a grim detachment. "It is done," he said.

***


Everything is dominos. Nothing can ever go wrong by itself. This was why Macy got pregnant, why stretch marks like white-hot scratches from infected claws sprang up across her belly. She showed me these and this time I did touch her, though not an embrace, just a light, cowardly tap of acknowledgment on the swelling of her stomach before, like the villain I had already proved myself to be, I ran.

This is also, I believe, why she died. Others will tell you that it was because Macy was simply far, far too young to make it through the birth, but to me the line between biology and fate has always seemed as imaginary as the line between the bushes and the Rat Kingdom. But what does it matter, anyway? In the end I would always feel that she died because I took the sapphire from the sky that day, and because I left the diamond shining bright and true and guiding as the north star that should have gleamed in its place.

I wasn't there. But sometimes at night I remember in such harsh, pixilated detail that I might as well have been. The doctor over Macy with a knife, slicing the tail that tied the new thing by its belly-button to the too-young girl who had birthed it.

My daughter, in this life you must cut yourself free, and run, and run, and run. You must wear linen to survive the rains. You must remember not only the entrance verse, but also the exit.

***

This is what really happened. The third rat, Emerald,-- the one who had been in love with Ruby, but not loved by her-- had died of a broken heart. The other rats tried to gnaw him out of them, to shed his heft and rot, but to avail. The weight of him slowed them down. And even if it hadn’t been for that drag, there was the fact that Sapphire, who had been in love with Emerald soon succumbed to the murdering melancholy of being alone. Soon the only two living rats were the ones who had started it all, Ruby and Tanzanite. And in a way they were happy, to be newly alone with their love, but they could not overcome the burden of their dead brethren. Unable to move, they wasted away gazing desperately into one another’s eyes.


Tuesday, December 28, 2010

Umm

(This is a "lovely found poem" my dearest friend and platonic soulmate, the elated Sarah Pospisil made out of some pages of stories of mine that my printer was really enthusiastic about fucking up. So, this isn't really my fault.)


Umbrella

his hand around

like embers black with ash

I feel his thighs around mine

I can taste his secret message

I fall onto

his hands between my thighs

too salty, too strong

the space between my thighs

I try mud instead

I still don’t see what’s supposed to be so damn great about brothers.



(I swear the originals were less trashy and concerning.)

Wednesday, December 15, 2010

Echo Chamber

Winter was an echo chamber made of mica and blankets pulled warm and claustrophobic over our heads. Every word we said came back to us, smelling newly of the grain of dirt at the center of each flake. Everything stopped. The sky at night was magenta and full of static. The falling snow made a soundless sound, not unlike that of a long held breath slowly escaping from relenting lips. In the feral garden across the way, the roses turned into scientist's toys, indistinguishable from those we had once seen dipped into a bucket of dry ice, and then, miraculously, shattered.

Wednesday, December 1, 2010

from "The Boat House" (Scenes 1 and 2)

Prologue/ Scene One


(As the scene opens, the stage is dark enough that the set can barely be seen. CALVIN is sitting alone in the center of the stage, dimly lit as if by the weak beam of a flashlight. He holds in his hand a chunk of wall, which he picks at, crumbling sand over his lap. )


CALVIN

The old boat house was what any good abandoned building should be to any bad kids.

The word is haven. Or sanctuary. Paradise wouldn't be a stretch at all.

I couldn't get in on my own. Tom was as good at opening doors as he was at opening girls' legs. He said there's nothing to it. Simple as sesame. The only trick, according to Tom, was to bring a chick along, because chicks always keep a bobby pin in their hair that you can borrow to jimmy the lock. Well, that was easier said than done. Some of us didn't know any girls. Some of us didn't have three lean sisters who brought home their friends in droves.

Some of us lived alone.


Beat. CALVIN looks down at the piece of wall in his hands. Laughs a sad little laugh, and then throws the piece of wall away from him, preferably into the audience. He pulls himself awkwardly to his feet, begins pacing in his small pool of light.


But there at the boat house, after we did get in, thanks to Tom and his girl and her beautiful hair, it seemed that even I had a family, even I a home. And oh, this was the home as home should be. Such freedom, such ease. We smoked whatever, wherever, whenever we pleased. We ate mealy apples from the feral trees that grew right inside our home. And maybe we got sick off the damp and fruit gone to rot, off the cold that climbed into our makeshift beds like a lover in the middle of the night. And maybe we ached in the morning, if we stayed till the sun.


Another beat, another laugh of maybe acceptance, maybe defeat.

And maybe it wasn't much of anything, really. And maybe Tom was a fuck up, and a jackass, and maybe he always will be. But certainly, there was a moment, in that creepy still, that boat house dim, when none of these hypotheticals mattered.


BLACK OUT. Brief but complete.





Scene Two


Morning. There is a silver quality to the air, the feeling of coolness in the colors of the world on the stage. In the chill early light, the canoe house can be properly seen. The boat house is old, the stones of its walls grown smooth and sandy from time, glass either thick and foggy or missing completely from the few small windows. Light pours in through a gaping hole in the right half of the roof. Through this gap stick the branches of a bold but scrawny apple tree that grows right from the floor, reaching roots out and tearing up the stones of the floor in every direction. SAMMY, the kind of cold-hot fierce-fine girl who every boy dreams of fucking but not a one dares to fuck with, leans against the apple tree’s trunk, eating a sad looking apple. Across the room from her is TOM, a lanky boy with an athlete’s easy grace, lies in an old canoe that has been padded with ratty blankets. He, too, holds an apple; but unlike SAM he is not interested in eating it, but only in tossing it from hand to hand like a sport’s ball.


TOM

You know how some words get to be their own plural?


SAMMY

Bluntly, even aggressively.

No.


TOM

Like buffalo.


SAMMY

Huh.


Sammy takes a loud bite of apple, then holds it out in front of her to look at it. A look of horror crosses her face. She spits. Straight on the floor.


Fuck, that’s nasty.

The are worms in my apple.


She throws the apple away from her. It bounces off the wall, and rolls to rest not far from Tom’s feet.


TOM

You’re not listening to me.


SAMMY

There. Are. Worms. In. My. Apple.


TOM

That’s sick. Spit that out.


SAMMY does not dignify this with a response. She gives TOM a pointed look. Beat.


Where was I?


SAMMY

Bungalows?


TOM

Shit Sammy, you really don’t listen to a thing I say, do you?


He shakes his head in mock awe at her insolence.


Buffalo.

I remember now. I was saying how it’s all the same. You say, “I saw a buffalo at the side of the road the other day,” or you say, “I saw a dozen buffalo trample a man to death.” Don’t matter if you’re meaning one buffalo or one hundred. It’s all the same. Buffalo, buffalo, buffalo.


SAMMY

Why you gotta be rambling on about buffalos anyway?


TOM

Buffalo, Sammy. No ‘S’. And I’m not talking about buffalo. I’m talking about plurals.


SAMMY

Sounds an awful lot like buffalo to me.


TOM

The point is how the single’s the same as the plural. I want to be like that. I want to be my own plural. I want to be fifty big men in one body, fifty million menaces and wars and powers in one little name. One word. Tom. But it won’t just mean Tom. It’ll mean Tom times infinity.


SAMMY

That’s cute. You should write an essay or something. Ms. Ricky would like it.


TOM

Fuck Ms. Ricky.


SAMMY

Like that, wouldn’t you?


TOM

Shut up.

TOM throws his apple roughly at SAMMY. SAMMY catches it in one bored grab without even looking up or turning her head. She throws it back to him, still without turning.


SAMMY

Eat your apple.


TOM

Eat yours.


But he takes an obedient bite. Swallows. Takes another. Closes his eyes. Speaks with his mouth full, around loud crunches. Swallows.


Mmmm. That’s good. Nothing better ‘n a good apple in the world.


Another bite. His chewing slows. Suddenly, a look of horror crosses his face and his eyes spring open. He rolls over and spits over the side of the canoe in which his lies.


There are worms in this apple!


SAMMY

Were in mine too.


TOM

Why didn’t you tell me?


SAMMY

Mockingly, her voice forced an octave too low:


Shit, Sammy, you really don’t listen to a thing I say, do you?


At this moment, the door opens. It swings wide and crashes into the wall, causing both SAMMY and TOM to startle. CALVIN stumbles into the boat house. His right hand is cupped gingerly under is left elbow. His hair is wild; his clothing wet, his jacket hanging open over a bare chest decorated with a few choice bruises. SAMMY and TOM seem unfazed by his condition; it is evident that this is nothing out of the ordinary in their world.


TOM

You make an awful lot of noise for such a little man.



CALVIN

The door--



SAMMY

Yeah, it’s broken.


TOM

Can’t just go slamming it around like that.


CALVIN

Calvin is examining the door, fussing with the hinges.


I’m sorry. Someone could have told me.


SAMMY

Meant to.


CALVIN

Okay.


TOM tosses his apple to CALVIN. CALVIN fumbles to catch it-- and does, just barely, clutching it nervously to his chest in both hands.


Thanks.


He takes a hasty bite. Swallows. Beat. His face contorts. Tom chuckles.


That’s not funny, Tom.


TOM

Just a little.


CALVIN

I’ll get sick.


TOM

Relax. Not my fault you swallowed.


CALVIN

How was I supposed to--


TOM

Now, Sammy. Sammy spat. Every smart girl knows to spit.


SAMMY

Guess the same don’t apply to smart boys.


CALVIN

What?


SAMMY

Sammy nods in TOM’s direction.


Tom swallowed.

Gave him fair warning, even; and he swallowed anyway. How stupid do you gotta be to go and do something like that?


TOM

Unfazed.


Tsk tsk. I trusted you.


SAMMY

How stupid you gotta be to go and do something like that?


TOM

Ouch, Sammy. Good point.


CALVIN

Calvin takes off his jacket, slowly, wincingly; there is something strange about the gesture. Then the reason for the tenderness of his movements is revealed: his right elbow is caked in dried blood, and long lines of dried blood reach down his forearm like fork tongs. In places the blood has adhered his coat to his skin, and as he pulls the coat off he gasps in pain and the wound, reopened, begins to bead pink with fresh blood. He starts towards the canoe-bed in which TOM lies, and goes to sit on the end of it, but just before he can, TOM, grinning mischievously, flings his long legs out flat over the rest of the boat, leaving no room for CALVIN. For a moment they stand there, locked in a staring contest. Finally, CALVIN speaks.


Really, Tom? Please?


TOM

Nope!


CALVIN

Even though--


TOM

Don’t want you bleedin’ all over my bed.


CALVIN

Your bed, since when is it---


SAMMY

Jesus, Tom, let him lie down.


Beat. TOM glances at SAMMY and sees that she isn’t fucking around. A look of penance (although questionably sincere) crosses his face. He sighs dramatically, rolls his legs over the boat on the floor, and moves into a sitting position. CALVIN sighs in tired relief, and collapses into the boat, careful to keep his feet from falling into TOM’s lap.


TOM

That better?


CALVIN nods.


Good. Hope you’re happy.


CALVIN

Not sure I’d go quite that far.


He closes his eyes. Props his good arm behind his head. Awkwardly shifts his bad arm between positions, unable to find one that is both comfortable and not likely to get blood somewhere it shouldn’t be. At length:


Well?



SAMMY

Well, what?


CALVIN

Well? Isn’t anybody even going to ask me?


TOM

Coyly

Ask you about what?


CALVIN

About the arm, stupid.


TOM

Woah there little brother. No need to get sassy with me.


CALVIN

You’re not my brother.


TOM

An enigmatic, infuriatingly dapper smile.


But you know I love you like one.


CALVIN

Is that so? Good thing you don’t have brothers, then.


TOM

Well I love you like a sister then. That’s more accurate anyway.


He snorts.


CALVIN

But you don’t even care what happened to me?


TOM

Tom shrugs.


Figure you’ll tell me if you feel like it.


CALVIN

You’re not curious?


TOM

I bet I know just want happened. You were riding that goofy-ass bike of yours to the store to get me those cigarettes you still owe me, and you saw some fine young thing-- or no, you saw Ms. Ricky, more like, all done up in that skinny skirt and heels, and you damn near went right out of your head! Next thing you knew, you’d lost your balance and were skidding across the street on your side, screaming like a cat in heat for mercy mercy please please please. And then, you lucky thing, Ms. Ricky’s bending over you and asking all sweet if you’re okay, and you can’t speak cause your mouth is full of blood and you’re taking in the view. That’s when the car that almost hit you stops, and the owner gets out, and comes over, and it turns out it’s Ms. Ricky’s lover, and he don’t like when he see. So what you do then is--


SAMMY

That some sick sort of fantasy you drum up at night, Tom? Sounds like one. Only I imagine the hero ain’t Calvin; it’s you. And I imagine you give yourself a fly-ass moped, not a goofy-ass bike.


TOM

What you on me about today, Sammy?


SAMMY

What you on Calvin about today?


TOM

Tom ignores the question.


Besides, babe, you got a detail wrong.


SAMMY

Did I now?


TOM

Ain’t Ms. Ricky I dream about; it’s you.


SAMMY

Ha-ha.


She isn’t laughing. But she is, to CALVIN’s visible horror--smiling. Just a little.


TOM

Ain’t no wussy moped, neither. That’s weak. It’s a bona-fide harley davidson. And I don’t have a helmet, cause fuck that, so when I hit the road it’s a miracle I survive. And I’m bleeding something nasty from my head, but to you that’s just sexy, now isn’t it?


CALVIN

You’re incorrigible.


TOM

You’re just jealous.


CALVIN

You’re--


SAMMY

You guys. Kill it.


TOM

Don’t have to worry about me, sweet thing. I can take care of myself.


SAMMY

Not you I’m worried about.


CALVIN blushes. SAMMY gives him a look that almost looks like an apology, but a little too ambivalent for one to be sure.


Fine, Calvin. Tom’s not playing. But I’ll ask you. What happened to your arm?


CALVIN sits up with an effort, and turns towards SAMMY. He begins to speak, but the instant he does, the wailing cry of a police siren begins, drowning out his words. TOM gapes at CALVIN incredulously. Pitching his voice loud to be heard over the sirens he asks:


TOM

Calvin, you gone and gotten us all fucked over now? What the hell you do that for? What the hell happened?


CALVIN

Might have had time to tell you if you’d asked earlier.


The three continue talking, increasingly panicked, but the sirens grow closer and louder, until nothing they say can be heard. The three fall silent, and drop as low to the ground as the can. SAMMY crawls across the floor so as to be better hidden from view of the door/ window. The three lie very still. Still, the sirens rise. At the climax of their noise, the stage abruptly goes black, and the sirens cut out. End Scene Two.